There is a thin, virtually invisible, which binds all forms of change. It produces a real change when you can not change the basic paradigm that influences, controls and dominates the development of logical-rational seek to address the problems of life and existence.
"The paradigm plays a role in both underground and sovereign in every theory, doctrine or ideology. The paradigm is unconscious, but irrigates conscious thought, check it, and in this sense are also superconscient. The paradigm establishing relations primitive actions that are in determines the concepts, dominated the speeches and theories .. " (E. Morin).
We still live immersed in the Cartesian paradigm which has prevailed since the sixteenth century, period in which the immediate decline of alchemical thought. "The Cartesian paradigm separates the subject and object, each with its own sphere: one part philosophy and reflective research, science and other research objective. This separation between inside and outside, subjective and objective, soul and body, spirit and matter, quality and quantity, purpose and randomness, feeling and reason, freedom and determinism, existence and essence determines the sovereign concepts and the logical relationship: the disjunction.
This vision leads to a double perception of the world that translates in fact a doubling of the same world. Modern art is born from this awareness of the disjunction states determined by the Cartesian paradigm in every aspect of life and society.
On one hand, we perceive a world of objects subject to observation, experimentation, manipulation, that art mimics the scientific method by subjecting the object to a survey logical / sensible that gradually come to distort the objective perception of reality (Van Gogh). The other is "require" a world to the attention of people facing problems of existence, of communication, conscience and destiny (Gauguin) and are able to represent a different vision of reality, producing images "simple" and "intense", full of symbols of the transformation.
therefore exist within the universe created by the Cartesian paradigm, two modes of perception that operate in separated form. Both blind and can clarify, reveal and conceal, as he struggles Modern al'Arte within the theme of the meaning of subjective and objective truth or the eternal game of
truth.
The Modern Art is shaped like the attempt of the mind to overcome all forms of dualism triggered by the Cartesian paradigm, moving from two extremes imaginary (objectivity and subjectivity) to a hypothetical central junction point (the stream). If you continue to study the distortion of perception generated by the paradigm in the subconscious, we can come to understand the process that links the perception of art, art, consciousness and awareness to action aimed at changing the paradigm.
The art tends to unity is biosocioculturale brain and is, by its very nature, an alchemical technique of reconstruction of the masculine in the feminine and vice versa.
Gauguin painted the white horse on the bank of a stream. E 'alone, free from all forms of human yoke (superconscient). Symbol of the mind that integrates the symbolic perception of reality in the objective view of the subjects, the horse becomes the symbol of liberation from the influence of mind paradigm. On background, the two knights, a metaphor for the duality of perception addressed separately within or outside of themselves, moving away in the mysterious silence of the forest, the place par excellence of the event iperconscia "of truth (the story of Hans and Gretel)
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