For the alchemical art, not to be confused with Alchemy as a science (magic) of transformation of matter, the psychological difference of women is central to the evolution of society, culture and spirituality. Female than male instincts to balance the instinct for survival (male) is aimed at the conservation of the species and the faded action (men) to become effective and productive when stimulated by the instinct of balance (female). The look of the woman model for thousands of years the action of impulsive and aggressive men in order to ensure the family or the community the highest degree of comfort, wellness, beauty and justice social.
The perception of women, represented by Venus in mythology, is the invisible interpreter of the authentic needs, social needs, the common desires and aspirations of the soul, even when it is "reduced to ashes" like a phoenix, mistreated like Cinderella, and reduced number approved by the polls and political commercials used cunning men when excels in roles that compete (see the film What the woman Want).
Any real change in society was determined by the perception of women. In prehistoric times it was for the woman leading the group in search of places most suitable for the preservation of life ... in the middle of the eighteenth century women were to incite the French Revolution and today as he was yesterday, there are many women who ask their husbands to "prepare to assault the supermarket" if there will be no equilibrium conditions. However, only in artistic and spiritual dimension, joining with the creative imagination of the male perception that women identify the elements that can lead humanity to prosperity, peace, harmony and beauty.
Chagall realizes that the female gaze plays a leading role, both in the material world (earth) and in the spiritual (heaven). In the material world is indispensable to interpret the symbols produced by the mind androgynous women, whereas in the spiritual world becomes important to learn to decode the symbols generated by the mind of women artists, poets and mystics (the androgynous) to reach the understanding of the truth.
E 'for this discovery could join creative imagination and knowledge of the symbols (the city) that Chagall began to fly in the sky (spiritual consciousness) along with Bella (the wife), living embodiment of the soul can project any creative Everyone above the material dimension. The soul creative means with the arm outstretched, the way forward, while the artist's gaze turns back to look at the path "historic" artistic and intellectual, emotional or memory trace (the green dress) the memory of emotions with his "bride, dressed in blue and light blue."
The artist who evolves into "Knowledge and virtue" (Dante) "vibrate" in the frequency of blue, a symbol of awareness, knowledge and creativity of the soul. The painting depicts a state of ecstasy induced by the feeling of being "driven" creative soul to a state of perfection, love and knowledge of self and the world.
The house red is visible in the village is the place where the metamorphosis. Red is the color of the symbol Rubedo, the second act of alchemical transformation of the mental impulse in love, creativity and belief that every individual realizes in himself through the love of couples (Tantra of the East) or alone (the exercise of the creative soul: writing, painting, theater, music, etc ...)
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